Introducing Barbe

A downside to designing knitting patterns is that you spend an awful lot of time knitting for other people - samples in the sizes you'd never fit in, that sort of thing. So when you have a legitimate knitwear need for yourself? Well, that's where self-publishing comes in handy.

My sock drawer has been looking a bit sad lately, and so, I introduce to you - the Barbe socks!

Despite the fact the socks photographed above, in a lovely Permission Tree Farm Piggy Sock Yarn, were made in a few weeks, this pattern is actually several years in the making! It's my habit to only  knit socks while traveling due to their general portability and I began knitting a pair of socks with the same winding cable motif out of the leftovers of a sweater when traveling in late 2011. I finished that pair of socks, only to find that Sock #1 and Sock #2 weren't remotely the same size.

Somewhat disheartened by this, I put away the socks for a few years (like you do). This year, with my resolution to fight the entropy  I pulled out those old socks, determined to make a matching pair. Well, the finished pair ended up matching in size, but were a bit too large for me and were gifted to Mr. Cleaver.

I figured, in for a penny, in for a pound, so I found some suitable sock yarn in my stash to make another pair and figured, hey, why not make a pattern out of it while I'm at it?

Not content to do anything halfway, Barbe is available in five sizes from 6" to 10"/15-25.5 cm in circumference, so the unisex styling can fit feet of all sizes.

Worked from the toe-up with a short row heel (the easiest heel in my humble opinion), and the simple to work, but fancy to look at, spiraling cables Barbe would make a great introduction to sock-knitting and/or short rows. Barbe works equally well as a sock drawer builder for when you want a quick knit with a little something more. The ribbing throughout also makes for a nicely fitted sock.

Pattern Details 

Sizes

Foot Circumference (unstretched): 6 (7, 8, 9, 10)”/ 15 (18, 20.5, 23, 25.5) cm. To be worn with approximately 1-1½”/2.5-4 cm negative ease for best fit and display of cables.

Yarn

One skein Persimmon Tree Farm Piggy Toes SW [100% Superwash Merino]; 560 yds [512 m] per 113 g or approximately 350-520 yds of sock yarn for one pair, dependent on finished width and length. Sample as shown uses approximately 375 yds.

Purchase

Barbe is available for purchase via the following methods:

Ravelry  //  Ms. Cleaver Creations  //  Love Knitting 

Introducing Belacqua

A key thing to know about my progress as a designer is that I learned to sew a long time before I ever learned to knit. As a result, some of my earlier designs were the product of shoehorning knitted fabric into a sewn-like construction (I thinking primarily of Wetherell and the Carmel Clutch here.) Not to say that they didn't work, but that they weren't "knitterly."

When I say knitterly, I mean something that takes distinct advantage of what only hand-knitting can do, or what knitting does best. Yes, you can knit a woven-look stitch pattern, but clearly weaving does it better (and easier). Knitting miles of fine gauge stockinette? Perhaps you're better off buying a sweater-knit fabric and sewing it together, or working the pattern on a knitting machine. But shaped-lace? Knitting (or crochet) wins. Cables? Only in knitting. Seamless construction that's not a simple tube? Knitting again.

Which brings us to i-cord. 

If, like me, one of your first introductions to knitting was through a knitting doll/nancy or mushroom, then you know that i-cord or "corking" is quintessentially knitterly. Those tight little tubes of yarn that go on and on and on. 

I first ran into i-cord as a garment edging when I knit my still much loved and worn Manu sweater. Having enjoyed it in someone else's designs, I decided to integrated into one of my own, and to see if I could find a way to replicate the effect of i-cord, not just on the edges,  but within the fabric itself. Discovering that a horizontal pleat/welt/ridge did the trick nicely, I ended up with the Bob & Wave Cowl.    

The i-cord/welt combination  stuck in the back of my mind and when LMC needed a winter sweater it sprung back to life (in a surprisingly similar color...).

Here the i-cords and welts play up the structure of a circular yoke and give not only a clean finish to the garment edges, but provide some built-in button loops. The circular yoke  construction is further emphasized by expanding vertical ribs. A simple workhorse yarn - here Quince & Co's Lark, places the focus on the texture and structure.

The finished garment is nearly seamless (there is some grafting at the back of the hood) and, I would say, very knitterly. 

Pattern Details 

Sizes

NB (3 Mo, 6 Mo, 12 Mo, 18 Mo, 2T, 3T, 4T, 5, 6)
Chest Circumference: 18 (19, 19.5, 20.75, 21.75, 21.75, 23, 24.25, 24.5, 25.25)”/ 45.5 (48.5, 49.5, 52.5, 55, 55, 58.5, 61.5, 62, 64) cm”
Sample size 2T, shown on 22-month old w/ sleeves cuffed.

Yarn

4 (4, 4, 5, 6, 6, 7, 7, 8, 8) skeins Quince & Co. Lark in Bird’s Egg [100% American Wool]; 134 yds [123 m] per 50g or approximately 415 (455, 495, 555, 695, 735, 845, 930, 990, 1045) yards of worsted weight yarn.

Purchase

Belacqua is available for purchase via the following methods:

Ravelry  //  Ms. Cleaver Creations  //  Love Knitting 

Tried and True Review: Flowers and Lace Skirt

A Tried & True Review, where I look back at old project and discuss how it's held up since I made it, both successes and closet rejects, in an attempt to show how my projects have stood the test of time and/or to learn from the mistakes of my yesterdays.

The Original: Floral and Lace Skirt

Made: March 2010, 5 years old

Update: This is my go-to skirt when I want to look ladylike, but be comfy. (see also: "No Pants" Lent 2011)

Fit: It was self-drafted, with a pretty forgiving fit. That said I did (upon originally making it) do an adjustment to the waistband. The waist line has moved up and down as my weight fluctuated over the years, but it's managed to hang in there.

Style/Materials: A super basic a-line skirt, in a  floral fabric and lace. This was a free piece of  quilting cotton given to me by my mother-in-law, along with some cotton lace trim from my stash. It was pink and had tiny flowers all over it, which is not very me. Nothing about it should work, but it just does. 

Construction: The waistband fix was some darts I put into the finished waistband, so a little wonky there. Also, since it was meant to be a muslin, I didn't interface the waistband, which means its always crinkly, but probably contributes to the comfy factor of this skirt.

Lesson(s) Learned: .Really small prints are quite versatile and never underestimate the power of simple and comfy!

Final Verdict: I never would have imagined that I would still be wearing this skirt five years after I first sewed it up. It was meant to be a wearable muslin for goodness sake! I still have the draft pieces somewhere, so I should make another version, no?

Design Diary: Lady Heartrose - Grading and Calculations

I've always considered one of my greatest strengths to be the fact that I'm pretty much equally right-brained/left-brained, analytic/artistic, or concrete/creative. 

While it makes me a great utility player, this dichotomy has it pros and cons. When I worked in a primarily creative environment, the highly creative folks pushed me into more administrative positions, but now that I work with primarily analytic people I get to do all the fun wacky creative things. It's been much more rare to find something that scratches both those itches, however.

And then I met knitwear design...

Textiles and drawing and geometry and Excel spreadsheets! When I design a sweater, I get to do it all.

As many designers will tell you, making something in one size is easy (especially if it's your size), making it work across 8-10 sizes? That's the difficult part and the reason why you'll see so many free patterns that are one-size only.  

Grading can be terribly time consuming, but I derive genuine pleasure from a well-designed Excel spreadsheet.At it's most basic, the spreadsheets take the body measurements and translate them to stitch counts based on my swatch, but after 5 years of designing, my template sheets have gotten increasingly complex and sophisticated and I'm pretty pleased with my latest iteration.

My sizing is all based on ASTM International Standards for Body Measurements (from a few years ago), which gives me more confidence in my sizing than when I was mushing it together from various sources.My current version also shows ALL my calculations (See the screenshot for an example), as well as regular confirmations that I'm still on stitch count and within my desiring sizing.

It helps me make sure I'm not missing anything and is a helpful bit of information to have on hand for tech editors and pattern support requests, especially when the latter comes months or years after I released a design. 

At this point is also when I lock down the nitty-gritty of the design details - width of the button band, depth of the ribbing at the sleeves/hem etc. My highly scientific method for determining these? Holding my index finger and thumb apart to what looks like a good width/depth and measuring the space with a ruler, making sure it looks relatively proportional to my sketch. Similarly when it comes to ease, I take a cloth tape measure and myself or a mannequin and see what looks right and matches the sketch. For this pattern, I wanted the hem to be fairly swingy, so there's 7-10 inches of ease at the hips (with the larger amounts at the top of the range). 

 It often feels like overkill to do the full grading before I cast on, but I like my instructions to flow fairly smoothly from one size to the next, so if I have to make a bunch of adjustments to half the sizes, I try to even it out across the size range as much as possible. Of course, that's not to say I won't calculate a portion (like the body) just to be able to cast on - I'm only human after all.

Any questions about the grading process? My favorite Excel formula? The trickiest bit to calculate? Put them in the comments below!

Next up - Sample Knitting!

Little Miss Cleaver had a Farm

LMC's 2nd birthday is fast approaching on Sunday, but since she doesn't read this blog I can give you a sneak peak of one of the presents I made for her.

Do you make stuff from Pinterest? I know a lot of people that cook from it, but not a lot that actually do projects, per say. It's definitely been the inspiration behind a few things for me, like LMC's first Halloween Costume, and this past Christmas' Advent Calendar.

This gift is really a follow-on to that advent calendar - every since she got all the farm critters in the calendar, she's been playing with them constantly and I thought it would be nice to give them a little home (and if it means less searching for a missing tiny horse or chicken for me, well, that'd be nice too.).

The barn is based on the tutorial from here.

It's a tutorial and not a pattern, so there's a certain portion of the instructions that involve winging it, particularly in respect to cutting out pieces and seam allowances and even then I made a few changes.

• Pleated the roof portions
• I cut out and sewed the batting pieces together, rather than the wrap/and tape method - if I were to do it again, I'd just interline the fabric pieces with the batting and save myself a bunch of trouble.
• I didn't sew the fold lines. They folded fine on their own, I didn't want the thread lines showing and I'm not that worried about the plastic canvas sliding.
• I did all the applique (by machine) before I sewed the pieces together, and just marked the stitching lines on everything so I didn't put a door where it'd get half cut off.
• I'd also make the button loops tighter/smaller next time.

For materials I bought some deliciously soft red brushed flannel and the white twill tape for the doors/windows specifically for the project and everything else was leftovers from other garment projects (wool, linen, twill, and corduroy).

I'll note that this is a fairly time-consuming project. It probably took me 3 naptimes to complete. Though that was mostly the applique and getting the pieces cut and arranged, the actual structural assembly went fairly quickly.

My finished product isn't quite as sharp-looking as the tutorial mostly because I was a bit loosey-goosey with the seam allowances, but I think LMC will like it all the same - I certainly enjoyed playing with it to take these photos! And come-on, it's a tiny carry-along barn with a path and pond! It's pretty stinking adorable.

Design Diary: Lady Heartrose - Swatching

Usually I sketch before I swatch, but in this case, since I worked a little backwards.

The yarn here is Swans Island DK Washable Wool Merino in Malbec. The original child's cardigan was in a hand-dyed fingering weight washable wool from the Woolen Rabbit. For the grown-up version I wanted something with similar properties, but in a slightly larger, more knit-able, scale. For that, the Swans Island was a perfect match, with the Malbec a nice feminine, but grown-up colorway.

[Full disclosure: I had ID'd this as my dream yarn a while back, and then earned access to some  yarn support from Swans Island following the publication of my  Breakwater Pullover].

Unless I know I want a particularly dense or flowy fabric, I generally begin swatching with the needle size indicated on the ball band. The swatches here are done on US 6/4.0 mm and US 7/4.5 mm. I learned to knit on size 7 needles, and as such, I've always had a bit of a soft-spot for them.

While the 7s resulted in a bit looser fabric, the main difference in these swatches is the scale of the cable pattern. The size 6 swatch uses the same cable pattern from the childre's cardigan, while the size 7 swatch doubles the thickness of the rib and cables. 

I gently washed and blocked both swatches (just flattening and not stretching), which is extra important in super-wash yarns, which I've found have a tendency to grow. Then I pinned on various place of my unnamed dress form  to see how it hangs and feels in scale to the body. Unless I'm doing a sample for a publisher, I usually keep the form at my own measurements, which is a 38-39" bust. 

Scale is the key here. If Lady Heartrose was a fall/winter cardigan, I'd go with the thicker version in a heart-beat, but for a spring/summer garment, I want something more delicate, so the thinner cable it is. The size 6 fabric also just looks a bit "cleaner" to me, so size 6 swatch wins overall!

Next up - practical math and complex spreadsheets!! 

Works in Progress

Between the snow and the seemingly never-ending stream of sickness in the Cleaver household, there's been a lot of indoor days. Some with just enough energy to build a fort to "nap" in, others of a more productive sort. 

I finished piecing my quilt top, made my "sandwich" and have begun the actual quilting of my quilt. Huzzah!

I decided to hand-quilt it. I'm enjoying the ever-so handmade nature of my uneven stitches and since there's no deadline to be finished (I started it over 2 years ago after all), there's no need to rush. I haven't done much beyond those few test circles, as my hand-work time (read: evening tv time) has been filled, as it most usually is, with knitting.

I've finished one sample sock for a new pattern (and if you're interested in being a tester, let me know!) and have been working on a number of swatches for all kinds of different designs. I sat yesterday with a stack of stitch dictionaries and post-it notes and came up with at least one idea I really adore for a submission call. I had to tell myself to bind off the swatch because I wanted to keep knitting it.

On days I've been home with LMC, for illness or weekending reasons, she keeps me on my toes- sometimes literally, as she's become very interested in ballet, which to her means yelling BALLET! and doing something akin to an arabesque attitude. I have since taught her to plié as well.

I'm not sure where she picked it up, as the only ballet I can recall showing her prior to this was bits of the nutcracker at Christmas and the occasional SYTYCD clip.But perhaps it stuck as the other day she found and insisted on wearing mommy's "ballet shoes."  Then again it could be something from daycare, as it took me a while to figure out her "ski" impression from school - there's only so much those daily report sheets tell you.

In there anything you've been working on lately?

Design Diary: Lady Heartrose - Sketching

Just in time for Valentine's, a design with a little love - Lady Heartrose and my first post chronicling my process of pulling together a new knit design.

Oftentimes I swatch first, sometimes I sketch first, but usually by the time I get around to sketching a design, I already have a pretty good idea of what I'm going to do, so I don't tend to make more than a few versions, mostly to tweak things like necklines. 

This one, being based, on the child's cardigan was even easier. The questions are pretty basic - aline like the original, or fitted?  A-line. What kind of sleeve? Something a little fuller and 3/4 length, because I think it's the most flattering/wearable. Still raglan, still crew-neck.

I usually use this "plus-size" croquis for most of my sketches, though sometimes I'll trace over a  photo of a celebrity or blogger if they provided some kind of inspiration or if I have a certain type of "ideal wearer" in mind. .  Here I just wanted something simple, sweet and lady-like. So she got a bob and a pencil skirt. She's probably looking over at a cup of tea and a slice of sweet quickbread or cake. 

Next up: Swatching!!

5th Annual National Pie Day Pie-Luck & Blackberry Pie with Lemon Streusel

For the fifth year in a row, my knitting friend and I gathered at Casa Cleaver to celebrate National Pie Day with lots and lots of pie.

Due to the seemingly never-ending snow and some scheduling conflicts, our group was slightly smaller than usual, but we still managed to have 11 kinds of pie represented. There was a spicy meat pie, lentil shepherds pie, empanadas, cauliflower quiche, chocolate tart with hazelnut crust, nutella/banana, raspberry ribbon, ginger pear, lemon meringue, cherry and blackberry.

Much pie was eaten, much tea was drank, and much knitting was done. We also managed to cover all 70 toes present with hand-knit socks.

I intended to make my traditional cherry cup-pies, but due the lack of tasty ingredients in unbaked pie-dough, my baking assistant started losing interest and I went for simple(r), by making a regular pie and using a heart cookie cutter for the top crust, which would make a great valentine's day dessert, methinks.

I also tried out a new recipe that I've been dreaming of for a while, inspired by my much-beloved Katie Cakes from Chicago. While I'd like to try one at least one more iteration before I'd call it final (adding a bit of cinnamon and clove to berries), it was pretty delicious, so I thought I'd share it here.

Blackberry Pie with Lemon Streusel:

Crust

• 2 cups flour
• 1 teaspoon salt
• 2/3 cup shortening or unsalted butter
• up to 1/2 cup of cold water

Filling

• 4 cups blackberries (boysenberries would work great too), fresh or thawed frozen berries
• 3/4 cup sugar
• 3 Tablespoons cornstarch

Streusel

• 1/2 cup flour
• 1/3 cup granulated sugar
• 1/2 stick melted butter
• zest of one lemon

Pre-heat Oven to 350 Degrees F.

Mix together flour and salt for crust. Using knives or a pastry cutter, cut in shortening until mixture resembles course meal. Add cold water a small amount at a time, until dough holds together. Separate into two equal-sized balls. Flatten balls into discs and wrap separately in plastic wrap and place in fridge for about 30 minutes, or at a minimum, while filling and streusel is prepared.

Mix together filling ingredidents and set aside.

Mix together streusel ingredients in a small bowl and set aside.

Roll out chilled dough for bottom of pan. Insert pie filling. Roll out dough for top of pan, making a lattice structure is recommended.

Sprinkle streusel on top. It seems like a lot of streusel, but I'd recommend using it all as the pie expands slightly while baking.

Put in oven and bake for 1 hour, or until pie bubbles. Briefly broil top to brown if needed.

Works in Progress

Nature, and my hands apparently, abhor a vacuum. 

I know I said I was in-between projects, but now it seems like I have so many ideas that I don't know what to do with myself. 

I picked up a half-finished pair of socks from over two years ago and am about one episode of Jeopardy! + one episode of Doctor Who  away from finishing that long neglected sock later this evening. And in a fit of productivity, I wrote up a multi-size pattern for it, like you do. Pending some good light for photos and some Adobe time this weekend, we may have an unexpected new pattern out soon! (It looks more interesting on, believe me.)

I got my new backing fabric for my embroidery piece and am being perfectionist over the "font" (as much as handwriting translated to stitching can be a font). Being a perfectionist, it's slow going and contemplative, which is how I like my embroidery to be.  

When I picked up my embroidery fabric, I also picked up my backing and batting for my quilt. I still need to attach the border to the top, and sweep the floor before I try basting anything, but I feel like it's coming along nicely. I think I'm going to hand quilt it, in a super simple way. I'm too scared to try out machine quilting just yet. at least, i'd prefer to be some practice in on a pillow top or something first before I dove into a whole quilt. 

Last and not least, my box of yarn arrived from Swans Island this week, which means I can start swatching. I've got plans for two women's sweaters, a spring/summer cardigan and a fall/winter pullover that I can't wait to start working on. And then there's the shawl ideas in my head, and LMC's second birthday is coming up soon and I have  to make something for that, and.. well you get the picture.

What's keeping your hands busy these days?