Small Knits (and Crochets!)

I finally got around to photographing a few items I'd made a while back, so I figured I'd do a brief FO Roundup (In chronological order, from first completed to most recent):

My first full crochet project: Medium Stash Basket in Lily's Sugar and Cream (leftovers from another project)

Finished it in a day back in August.

My second crochet project: Filigree Bowl.

It's essentially a doily that you stiffen over a bowl shape. I have to say that I found doily making quite fun. Finished in two days in August.

Easy Peasy Newborn Hat.

For a co-worker's baby shower last week, made from leftovers from a pair of socks. Took an evening to complete.

Saartje's Booties. These kill me, they are so tiny and cute. It has a fun construction as well (Although a surprisingly large amount of seaming). Also for my co-worker.

French Press Slippers. I need to find a way to felt them, but they're all knitted up.

Which is lucky. Because I made this of out leftover's from Mr. Cleaver's sweater from last Christmas (sensing a leftover-theme?) and I had two balls of it, but by the time I ran out of ball one, I had lost the second ball. So to finish the straps I had to spit-splice a LOT of ends to make it work, and even then I had to use the purple to make it double thick like the rest of the slipper.

Introducing: krona

Back in July, when Amy & I met-up at Knit Wit to check out the Quince & Co. Yarns, we both decided that we wanted to design something new with it. In making this project, Quince & Co.'s Chickadee has quickly become one of my new favorite yarns - and it's seemingly endless color range has pushed me into a bit of a colorwork phase.

As soon as I had my colors in my hands I knew I wanted to do some kind of diminishing colorwork pattern with the yellow fading into blue.  The color combination also had me thinking of the Swedish flag, so I did some internet searching for inspiration and came up with the concepts that became krona. Krona means crown in Swedish and a Swedish crown is both the literal  Swedish royal crown as well as a braided hairstyle, both of which I tried to reflect in this pattern.

The braided band on both the tam and mittens is knit flat and seamed, and then the main pattern stitches are picked up from the band edges and knit in the round.  The mittens are identical on the front and back and can be worn on either hand.

Because Chickadee is a sport-weight yarn, I lined the mittens from the braided band up for extra warmth.

The tam sports the same colorwork pattern as the mittens, adapted to the hat shape. The tam is designed for head 20-22 inches in circumference and sits shallowly on the head.

I received a good deal of good-natured ribbing from my knitting friends while working on this pattern, because I tended to unconsciously match my outfit to my knitting (does anyone else do this?), so my outfit in the photos is a tribute to the Portland Knitters on the Town.

You can queue up the tam and mittens on Ravelry.

You can buy the patterns individually Mittens - $5.00 USD; Tam - $4.00 USD; or together for a $2.00 discount

Roadtrip: Rhinebeck!!

I'm leaving for a business/fun trip to Chicago today, but before I left I wanted to jot down a few words on my trip to Rhinebeck.

As group of seven of us left bright and early Friday morning, divided into, as the running gag was all weekend - an old people and a young people car - henceforth referred to as OPs and YPs.

The YPs car before:

We left early so we could make a detour to Northhampton, MA to visit WEBS: "America's Yarn Store." Yes, we stopped to buy yarn, before we spent a weekend at a sheep & wool festival, buying yarn.

WEBS is huge.

We even spotted a Great American Afghan (Karen's nemesis) live and in the wool.

And if the main store wasn't big enough, there's a warehouse.

We, as a group, found a thing or two... I ended up with a sweater's worth of Williamstown for my 2010 knitalution (to design and knit a full-sized sweater).

That night we landed at our hotel, ordered in some Chinese food (that came with a complimentary bottle of Grapette Soda), and read aloud from the Amish romance Novel, The Parting.

Saturday morning, we made sure we were at the gate at opening:

Our first stop was the Evergreen Farms booth for an angora. Maggie had recently lost her bunny Cocoa Bean and was debating whether she was ready for a new one. Petunia convinced her she was.

After a quick stop at She Shoots Sheep Rhinebeck Style photoshoot (I think  Maggie, Bristol and myself were models  #9, #8, and #7, respectively. I'll post a link when the slideshow is up), we headed out for the vendors.

After the first two barns I had checked off my three must-haves from my shopping list: 1750 yards fingering weight yarn in a natural grey for a Pas de Valse sweater from Snowshoe Farm Alpacas,  semi-solid sock yarn from Persimmon Tree Farm, and an eye-catching spinning fiber from Gnomespun Yarn Fiber Arts. Fortunately for my wallet I slowed my pace and bit and my final two pruchases of the day, buttons for my knitalution sweater from Jennie the Potter and a BFL/Silk braid of roving from Gale's Art waited until after lunch.

After lunch, we headed to the Ravelry lunch meet up and got to meet Sarah, Casey and Mary Heather.

We also made dead center behind the banner in the official meet-up photo, which hasn't been posted yet.

We spent a bunch of time with some folks who raised Soay sheep, an primitive sheep breed . I didn't note the farm unfortunately.

By 3ish - we were tuckered out and stopped for a apple cider doughtnut break, before leaping back into the fray.

We left the fairgrounds at 4:45. We left the parking lot an hour and a half later. (Noting for future trips, leave early!!)

After a break back at the hotel, the OPs went out to dinner and the YPs went to the Ravelry party in RedHook. We arrived too late for the goodie bags and cupcakes, but did get a chance to hop in the photobooth and chat with some lovely folks.

On Sunday, we packed up the cars (don't worry, we didn't really store the bunny in the back), had breakfast at a local diner and headed back for a few last hours at the fair.

We caught a sheep shearing (the sheep's not a fan)

and picked up a few more items. I snagged another sock yarn, this time from Sliver Moon Farm, and fought off Maggie for some into the whirled roving. I have received much mocking from my knitting group for my color pallette/phases and how my knitting often matches my outfit. I have been firmly ensconced in a blue and yellow phase (my Manu and a pattern I'm releasing at month's end is a good example), but it seems pretty clear that my next phase is definitely leaning green.

All in all, the trip was fantastic and totally worth the drive and slightly sketchy hotel. We're aiming for a return trip in 2012. If you're planning a Rhinebeck trip, I'd make the following suggestions:

• Book your hotel early. We did it about 3 months in advance and everything good had been booked by then.
• Break up your days and catch some events. We wish we had seen some more of the events or taken a class. It all gets a bit over whelming, just doing vendor after vendor.
• If you're doing both days, leave early on the first day. The traffic out of the parking lot was awful day one.
• Talk to as many strangers as you can. Every person I talked to (usually started by one of us complimenting the other's knit-wear) was super nice and friendly and you have an automatic topic of conversation. I wish I had takend the time to chat more.

Now off to Chicago! Be back Sunday.

Introducing: Knoll Rib Cowl

As anyone who knows me knows, when it comes to yarn, I have one of the world's smallest stashes. So it is perhaps surprising that this pattern came from the need to knit a yarn that sat in my stash for exactly two years.

Back before I did any spinning myself, I picked up a skein of handpsun from the booth for Enchanted Knoll Farms at the 2008 Common Ground Fair, weeks after I moved back to Maine.

I was in love with this yarn and called it my Rumpelstiltskin yarn, since it looked like straw spun into gold. (It's true name is Gold Dust Woman). I admired the yarn and petted the yarn and could come up with nothing worthy of this yarn.

Fast forward to September 2010. Faced with the need for a simple knit and feeling as if I had neglected this prize yarn for too long. I picked up my needles and tried to find a good stitch pattern for a scarf. My first attempt resulted in something that looked overwhelming 1980s in style, so I frogged, did a garter stitch sample, thought that was too boring and went back to the books.

I flipped through my stitch dictionaries and came across a squishy-looking rib stitch, which I promptly memorized incorrectly, and thus, came up with my own stitch pattern. I'm sure that this was not the first time something like that had happened.

As I neared the end of my then-scarf, I decided that the short length (about four feet long) would work better as a cowl, so I seamed it up, blocked it out, and there you have it.

I think this worked out as a perfect way to display a limited amount of a lovely handspun yarn. I used pretty much every inch of the 200 yards in my skein, but the cowl stretched a lot both ways when blocking, so it could take less if need be.

In case anyone else finds themselves in my predicament (lovely handspun, limited amount, no clue what to do.) I whipped up the pattern last night. You can grab it as a free download, using the link below.

download now

Sweater Love

I finished my newest sweater last week and while, realistically, it's too warm to wear it yet, I am in love.

The pattern is Manu by Kate Davies, and based on this pattern, I will happy knit anything else she writes up. The sweater itself if relatively simple, but such thought has been put into the details and finishing (with one small exception - the pleats don't mirror, and unlike many people on Ravelry, it didn't bother me enough to change it). The i-cord edging is so very polished looking and the shaping fits like a dream. I also enjoy that I learned a number of new techniques on the project, including the i-cord bind off and the pleating.

I made a few modifications - namely I went down a needle size to account for my yarn (more later) and I skipped the pockets, since I felt they would look weird unless my hands were in them all the time.

As for the yarn? The yarn is Malabrigo Silky Merino in Sand and the product of at least a month of searching for the perfect shade of mustard yellow. I'm sure it will pill like crazy in the future, being a single ply and all, but it is so soft and lovely to the touch that I have never enjoyed knitting with a yarn more. Based on a number of reviews that mentioned the post-blocking growth of this yarn, and my own gauge swatch, I ended up knitting everything a needle size down, which ended up being perfect.

I'm not wishing summer away, but as soon as it gets cold this sweater will get some heavy rotation.

Share and Share Alike

Yesterday I joined my knitting friends over at Maggie's for an afternoon of knowledge sharing and enabling each other's crafting addictions. Maggie taught Bristol & I crochet:

and I taught them embroidery:

Lynn taught Karen punchneedle technique:

Maria (who's trying to finish 12 knitting stash projects before Rhinebeck!) provided the locally made gelato:

And Chase, Jackson, Hobbes* and Cocoa Bean* provided fur and company (*not pictured):

First Meet-Up, First Batch, First Harvest

Yesterday I had my first blogger meet-up with Amy of stash, knit, repeat (also the "Fit to Flatter" series). She was in town visiting some family and we met up at Knit Wit to checkout the new Quince & Co. yarn line, which is made in Southern Maine.

It was great meeting Amy in person and I definitely felt like I was hanging with the cool kids when Amy was recognized about 3 minutes after coming into the shop. It was even more cool when Pam Allen herself popped in to drop over another load of yarn.

The range of colors in this line is fantastic - there are so many variations of each color - 3 or so yellows a half dozen blues, it's a color lover's dream.  Amy came out with two sweater's worth, while I restrained myself to 5 skeins of the Chickadee in Delft and Carrie's Yellow (I'm totally in a yellow phase right now).  And this yarn is so new, it doesn't even have dye lots yet, because there's only been one!

In other news, I've had my first harvest from my garden - this little head of broccoli. It's been so warm, that it accelerated the growth process and I had to cut it before it bloomed. I actually dreamed about it the day before - I was so worried about the broccoli going to seed. It was ready to go on Thursday, so I chopped it off and ate it raw with some ranch dressing. Don't worry I shared some with Mr. Cleaver.

p.s : I must admit, whenever I work with the broccoli in my garden, I find myself singing the Dana Carvey broccoli song (it starts at the 2:00 minute mark).

Introducing: Winterberry

I hope no one minds seeing a very woolly pattern with winter in the name in the midst of spring (at least in this hemisphere), but I'm so excited to finally get this pattern out in the world that I couldn't wait for more appropriate weather.

This hat and glove set is one of those "necessity is the mother of creation" projects. In back in late 2008(!), my dear friend Kasey requested some knitted elbow-length gloves to go with a 3/4 sleeve coat she had purchased. I was happy to oblige and even though I'd only made a pair of Nordic mittens and no gloves at all, I decided that I needed to design the gloves myself.

At the time I was heavily inspired by the winter berries that were adding splashes of color to the otherwise gray trees in my neighborhood and having just finished Stephanie Japel's Forecast Cardigan I was well acquainted with bobbles - all of which led up to these gloves:

The structure didn't change all that much from these originals, with the exception of the thumb, which was improved in the final version.  The red gloves were knit in Ultra Alpaca, which was soft and lovely, but was lacking in the stitch definition I thought the cable panel needed and the sturdiness which gloves require.

For the final version, then I chose to knit with Peace Fleece Worsted in Antarctica White, which I found to be a very flattering shade.

With both the Peace Fleece and the Ultra Alpaca, the gloves used a skein and just a teeny bit of a second skein - usually just to finish the fingers on the second hand, so I decide to work up a beret with a complimentary cable pattern. Aside from the cable, the beret is a simple knit, but is just the right size for pulling down over the ears for true warmth.

The patterns requires some cabling without a cable needle, which is fully explained in the pattern notes and the gloves utilize a 8-row cable repeat, with row counts at the end of each section to keep on track.  The gloves are fitted from elbow to wrist and the hat ribbing is knit on smaller needles to remain cozy for a multitude of head sizes.

If you're interested in making a your own Winterberry set, you can purchase the pattern in PDF form for $7.00 USD  via my Ravelry store or the PayPal link below:

Little Things

Some things I've been making lately:

Maple Walnut Granola:

• 3 cups rolled oats (not quick cooking)
• 1 cup chopped walnuts (or nut of your choice)
• 1 cup dried cranberries (or dried fruit of your choosing)
• 1/3 cup maple syrup
• 1/3 cup brown sugar
• 1/4 cup vegetable oil
• 2 Tbl warm water
• 1/2 tsp salt

Preheat oven to 250°F.

In a large bowl, mix together syrup, sugar, oil, water and salt until throughly combined. Add in oats and nuts and and mix until coated.  Pour oat mixture unto a  lightly oiled rimmed baking sheet or pan.

Bake from 1½ to 2 hours or until oats are dry and brown. Remove from oven and cool. Stir in fruit and place in a sealed container.

Sketchbook: Designing the Carmel Clutch

As I hinted at a few posts back, I have pattern in 2010 Spring/Summer issue of Twist Collective.

It's my first professionally published pattern and I'm thrilled to be in such a great magazine in the company of designers I really admire.  I'm super excited about the whole thing, so I thought I'd talk a bit today about the Carmel Clutch came to be.

It started with a hat.

This hat.

Which I bought on out-of-season clearance at LL Bean a year or so ago. After I bought the hat I spent some time looking at it and realized that it was crocheted. This got me thinking, surely if you can crochet with raffia, you can knit with raffia. So I went out to a craft store on my lunch break and bought a cheap bag of raffia to give it a try.

I wanted it to have a woven looks, so I flipped through a stitch dictionary or two and came up with a swatch of herringbone stitch.

My original swatch had a half dozen knots on the back, since the raffia from the craft store came in pieces of about 3 feet long, but it was enough to know that the concept worked.  So I worked up a sketch, named the pattern after the beach community in California that I visited a handful of times in my teenage years, sent it off to Twist, and crossed my fingers.

I got the okay from the Twist folks and we decided to work up two samples, one in raffia and one in a more standard yarn, which I was more than happy to do. While I waited for the Elann Coto Canapone to come in I ordered a few spools of raffia from Raffit Ribbons and got to work.

Here's where you may ask, what's it like knitting with raffia? And the answer is not too bad. It's about equivalent to working with any other plant fiber yarn I've worked with (cotton, hemp, linen).

It's stiff off the spool and there's not a lot of give when dry and I'll admit that the purl stitches in the garter stitch sections of the bag were kinda pokey, but believe me - I've never had so much fun blocking a piece of knitting. the texture changes dramatically after it's wet and softens into something lovely!

I had finished version 1.0 of the bag, but wasn't happy with the front flap, which was done with decreases. It was too pointy and bumpy - so I set it aside for a day to decide how to fix it. I picked up some personal knitting, and while working on a version of Laura Chau's Just Enough Ruffles Scarf, the solution presented itself to me - short rows! So I pulled out the front flap and reworked it in short rows with the addition of the garter stitch border seen in the final photos.

Around this time the Elann yarn arrived and it was Christmas and I went to California for a week and did no knitting at all so by the time I was knitting the Coto Canapone version I completely forgot to take pictures. Oops! But suffice it to say, I reworked some numbers for gauge.  We also made the second sample shorter to combat potential flopiness (which if you find is an issue with your yarn I'd suggest lining it with fabric backed with interfacing or putting a book in the bag - both work :) )

A big thanks to Twist for including me in this issue and to Caro Benna Sheridan for the lovely photos! If you have any more questions on the Carmel Clutch - let me know!