Introducing: Wetherell

It's been a big week for me a designer, I've had not one, not two, but three designs come out in the past four days. The one I'm perhaps most excited is Wetherell, which came out in the Winter 2011 issue of Twist Collective.

This design started way back in the early days of 2010, when I challenged myself to design a sweater as my 2010 knitolution. I've knit plenty of sweaters, and adapted a few, but I wanted one that was all me.

As with most deadlines, I procastinated and didn't even start thinking of my design until early October, when I was doodling during a meeting and came up with this (and promptly dripped water on it):

The big question was how to do the diagonal feature on the yoke. After flipping through some stitch dictionaries, I deciding on modifying a slip stitch pattern. I love slip stitches because their woven-look texture and I find them less commonly used than other stitch patterns (though it is my second Twist pattern featuring slip stitches).

The downside to this heavy of a slip-stitch pattern is that is takes almost twice as many rows to get get the same length as Stockinette stitch. The upside is that it looks great and since it's confinded to the yoke and the cuffs, it isn't overwhelming. The name for the sweater came when Bristol Ivy and I did this photoshoot in March. It comes from the copy of The Wide, Wide World, I'm holding in the shoot, a 1850 novel by Susan Warner, published under the pseudonym Elizabeth Wetherell. According to Wikipedia, it is often acclaimed as America's first bestseller  (if you're interested you can read the whole thing here.)

The front and back of the sweater are knit flat, while the sleeves are knit in the round until the sleeve cap, then everything is blocked and seamed to together. The sweater is finished off with a knitted hem on the bottom. All together it's a simple sweater with the right amount of detail.

Both my prototype and the Twist sample were knit in Valley Yarn's Williamstown, a worsted weight wool/acrylic blend in a lovely range of tweedy shades. I even found matching buttons 8 months apart in the button box at Z Fabrics.

The pattern is available for $7 USD via Twist Collective or you can queue it up on Ravelry.

Photos 1-2: © Jane Heller, via Twist Collective

Photos 3-5: by Bristol Ivy

Introducing: Oakdale

When it comes to my own designs, I never wear them until I have a chance to do the official photoshoot because I want to keep them as pristine as possible for the pattern photos, and for this particular design the weeks between completion and photography were super tempting.

I designed Oakdale as my dream sweater, and it turned out pretty much exactly as I hoped: as in crazy-close to the original sketch. The only difference is the neckline, which is more boatneck than crew (which I prefer).

Still in my colorwork period, it started off with an acorn motif and a desire to do a 40s-50s style sweater.  I wanted it to be seamless and easy to knit, so I decided to do it as a raglan sweater, and since I hadn't decided what I wanted the neckline to be I started at the bottom and worked my way up, figuring I'd decide by the time I got there.

There's no shaping in the body of the sweater, but 1-2 inches of negative ease, plus the nature of the colorwork stripes, makes for a shapely-looking sweater. If you wanted to make it even MORE shapely, you could switch the Stockinette stripes for corrugated ribbing easily.

The front and back are entirely the same until after the yoke decreases are completed, then there are a little over an inch of short rows on the back neck to raise it up a bit higher than the front for comfort in wearing. The sleeves, neck and hem are all finished off in a K1, P2 rib that mirrors the striping pattern.

For the sample I used Cascade 220 in Chocolate Heather, Smoke Blue and Straw. But it would work in any worsted weight yarn with a reasonable color range.

A big shout out must be given to Bristol Ivy, fiber artist, who served as color consultant, photographer and tech editor for this pattern.  And a mini shout out to the Canal School in Westbrook, which served as a charming autumnal backdrop, when our original location fell through.

The pattern is written for sizes 30 (32, 34, 36, 38, 40, 42, 44, 46, 48, 50, 52, 54, 56, 58)”/ 76 (81.5, 86.5, 91.5, 96.5, 101.5, 106.5, 112, 117, 122, 127, 132, 137, 142, 147.5) cm at the bust and is perfect for your next sock hop or pep rally.

Oakdale is available for purchase for $7.00 USD

or you can queue it up on Ravelry.

PS - Did you know about the new mailing list? You'll receive notification about all new Ms. Cleaver Creations patterns as well as special discount codes and offers.  Sign up Now!

Sneak Peaks

I just wanted to pop in to show a sneak peak of a design currently on the needles

and shot from my photoshoot with Bristol Ivy yesterday that was too fun not to share!

November's gonna be a big month for new designs for me, which is a good a time as any to introduce a new mailing list. I promise I will never share your email address and there won't be any spam, just updates on new pattern releases and sales, giveaways, etc.

Sign up Now!

A Little Bit Country

One of my guilty pleasures in life is Time-Life Music infomercials. There's something endearing about the standard formula of past-their-prime musician + woman-of-a-certain-age co-host + those 5 second clips of unforgettable hits of the 60s and 70s. On a lazy Sunday afternoon Mr. Cleaver and I will merrily let it run for the full half-hour and our ultimate favorite collection is "The Golden Age of Country."

My costume this year is a tribute to the Golden Age of Country, the Grand Olde Opry, and fantastic country songbirds of the age like June Carter Cash, Loretta Lynn, Tammy Wynette, and Dolly Parton in all their big-haired, chiffon-clad glory.

I came across Simplicity Pattern 2180 a few weeks back, and thought it would be the perfect starting point for my costume, but it was out of stock in my size. However a kind friend in my knitting circle picked it up for me on a trip to Augusta, so I was in business!!

I knew the dress would have to have a gauzy chiffon component, preferably in a pastel shade and this Jenny Lewis video inspired me to pick up some lace trimming as well. I treated the seafoam-y tafetta-esque base fabric as an underlining, and sewed the two layers together before making the darts/seams/etc. which made dealing with the top layer chiffon a bunch easier.

It's not the best sewing job I've ever done, I skipped a few steps like the waistband facing and replaced the sleeve cuffs with elastic, but for a Halloween costume, I think it turned out pretty swell.  I'm racking my brain for occasions/places I could get away with wearing this dress in ordinary life, because I kind of love it (and I'm definitely remaking the pattern in a more casual fabric at some point).

Mr. Cleaver joined in on a more modern take on the theme, thanks to a cowboy hat from Target and some clothes from around the house. Our first thought was to do a more "rhinestone cowboy" look (like Buck Owens), but this was easier.

We went to a Halloween party over the weekend, where Mr Cleaver claimed to alternately be Toby Keith and/or Hank Williams Jr.

Even Steinbeck got in on the action (he is from Texas after all).

I even tried to keep the pumpkin in the country theme, though it looks more like a Holstein pig than the cow I was going for.

But while we may look country on the outside, inside we're both still rock ' roll.

PS - thanks to Bristol (and her dad) for the loaner cowboy boots!!

Fall Update

On Thursday I finally got around to making my annual apple pies. Technically you could say I made six, but I ended up with two, as four went to my co-workers who came over for a pie-making lesson/afternoon.

I might of eaten pie for breakfast. Twice.

In other news, I've planted about 100 bulbs for the spring,  raked some leaves, put the down comforter on the bed, finished my first sweater of the season, and sewed about 70% of my Halloween costume.

Yep. Looks like fall.

[PS - want a sneak peak of my Halloween costume or other projects in process? Check out my twitter account! ]

A Home for Hedgie

Back in the day when I was first introduced to needlefelting, I made Hedgie, got bit by the needlefelting bug, and picked up a feet kits at Fiber Frolic.

One of the things that drew me to needlefelting was the instant gratification (and sculptural) nature of the craft, but you wouldn't know it from the four months that passed from my starting this kit and finishing it yesterday.

But that's life for you, right?

In any case, I'm one kit down and Hedgie has a nice mushroom grove to reside in. Next up - Gnomes!

Fall Palette Challenge: School House Tunic

  It's rare that a project comes together quickly for me, usually because I gravitate toward patterns with lots of fiddly details (see dress with bow neckline and pleated sleeves). So while it's been in my to-sew queue for quite some time, the School House Tunic, was a bit out of the norm for me - particularly since I cut it out and sewed up it in about a day.

I made the shirt-length pattern exactly per the instructions with one addition: a button and thread loop mid-way up the placket, which I find to be a neutral additional. It doesn't really add anything, but it doesn't detract either.

The fabric was from my stash, and considering my usual fabric shopping habits, it probably came from Denver Fabrics. The texture is akin to those soft cotton dishtowels, which makes for a very cozy shirt.

I'm not sure if the empire-waist and pleated skirt are the best shapes for my figure, but the shirt is so comfy that I'm pretty sure I'm going to make a at least one more in flannel for the fall/winter and another in white linen for the summer.

Fall Palette Challenge: the Houndstooth Dress

  Even with a trip to the Botanic Gardens, I managed to finish two of my Fall Palette Challenge pieces this weekend, which I'll cover in two separate posts this week.

First up: The Houndstooth Dress

As I said in my original palette post. I saw this dress done up as a sample in JoAnns and knew I had to make it. The pattern is New Look 6909,View C and while I debated about doing the pockets,fearing they'd "poof out" I eventually decided to the pattern as is.

The seams were finished with a zigzag stitch for exposed seams and pinking for covered seams, as the fabric tended to be rather fray-prone (as I find is often the case with woolens). Though it tends to wrinkle a bit more than I like (!!), and the curvy fit makes me feel as if I should be wearing control top pantyhouse, I love this fabric as this dress.

I'm particularly found of the details on this one, the funnel collar, the bow, the pleated cap sleeves, yes, even the pockets and while it took a bit of time nothing was particularly difficult to put together. A declare this one a win!! (especially with the red shoes)

Oh and according to Wordpress, this is my 300th post! So yay for that too!

Introducing: Shoots & Ladders

I'm pleased to formally introduce Shoots & Ladders, the design I teased a few week back. Shoots & Ladders is an any season cowl, inspired by the orderly rows of plantings in gardens. I wasn't able to plant a big garden this year, but I did produce a few of these cowls.

The spring/summer version of the cowl features Elsebeth Lavold's Hempathy, which results in a drapey cowl, with well defined lace motifs

The more ethereal Winter version is knit in Rowan's Felted Tweed DK, resulting in a more structured cowl with a bit of halo.

Both cowls utilize approximately 300 yards of DK weight yarn and is knit in the round. The lace pattern is charted and decreases in the "ladders" section give the cowl a pleasing tapered shape.

The pattern is available for $4.00 USD

or you can queue it up on Ravelry

Photos, except detail shots, by Bristol Ivy.

Fall Palette Challenge

Although historically my sewing tapers off after summer, I've decided this year to participate in Colette Patterns Fall Palette Challenge. The goal - make a unified palette of items within 8 weeks! I'm going to be overly ambitious here with my challenge projects, but here we go!

For the challenge, I'm using all fabrics from my stash. They are (clockwise from top left corner): super pale peach silk charmeuse from Denver Fabrics, large check gingham shirting (source unknown), green stretch twill from Denver Fabrics, and blue/black wool houndstooth from Fabric Row in Philly.

My first project up will be New Look 6909,View C. I saw this dress in a display at JoAnn's and knew I had to make it. The fabric will work perfectly, as it's both warm and work appropriate!

Second up, Clover from Colette Patterns in the green twill. I was so excited to see Colette do a pants pattern, especially since pedal pushers/clamdiggers/capris have been on my to-sew list for ages. If I have time, I'd love to do a pair in black as well.

Thirdly, Sew Liberated's School House tunic in the gingham. This is a pattern that's been on my wish-list for ages and I think the fabric will be a great fit. I'm leaning toward the shirt length version.

If I have time (and I assuredly won't) I'm aiming to use the silk charmeuse for a Cinnamon Slip.

So there's my pieces for the Fall Palette Challenge. I'll keep ya'll updated as I go along, and let me know if you're playing too!